Toxic Masculinity

With recent films like Goat, and Moonlight, and so much pre-election discussion of the real world dangers of toxic masculinity, I felt sure that now was the right time for my debut novel, Chinese Gucci. It seemed we were finally on the verge of a meaningful cultural examination.

Post-election, though...not so much.

After the election, I stopped submitting queries to agents, and seriously considered shelving the project indefinitely. It seemed that the mindsets the book set out to indict (toxic masculinity, flippant racism, sexism, white privilege) had not only re-emerged but were once again running rampant. America's history is stained by exactly these same mindsets -- a fact that deeply compromises our nation's otherwise glorious aspiration (however imperfect) of democracy and greater equality.

In short, I didn't feel like fighting.

Hell, it didn't feel like it was a fight that, as a species, we were actually interested in winning. Humans, I think, don't actually care about the "pursuit of happiness," or "liberty, and justice for all." No, no...most just want "happiness" and "liberty" and "justice" for themselves...and maybe a few other folks they know.

And that's dogshit.

I foolishly expect better of us. So, like it or not, feel up to it or not, we have to fight. Not eventually...we have to do it now. And however that fight looks for you, embrace it, do it, push yourself beyond your comfort zone, and help out...do your part. Lock arms with those who share your vision, and stand up for the world you foolishly believe might one day exist.

To that end, I sent out another query last night. I'll keep pushing on Chinese Gucci, and everything else -- hoping to offer up something new for you all to read in 2017 and beyond.

Okay.
 

P.S. -- For anyone interested, here's something of a sneak-peek at the kind of kid Akira (the character at the center of the novel) is. Or at least who he pretends to be...

Calling All Independent Filmmakers!

It seems, in big publishing, the book itself is a big, beautiful product and (unless we're talking one of writing's giants) the writer is just the means. As The Atlantic wrote recently, publishing is paying more and more to it's own 1%, putting all its eggs in fewer baskets. It's the same mindset responsible for the blatant rehashing of familiar franchises we see lining the interstates of American life, packing the shelves at big bookstores and choking the gigaplex with more god-awful summer movies. To put it bluntly: big publishers must stick to the formula if they hope to break even -- or so the thinking seems to go.

Independent presses are, according to the article, the place where biggest risks are taken. I very much agree. Of course almost none of the independent presses I know get the same coverage as even the most tepid rehashed chum. Which is a crying shame...but there it is.

So it's abundantly clear: we cannot make many waves alone. However...

I'm certainly close to last to this party, but if you haven't seen it...I've recently been really jazzed by Vimeo. Filmmakers of all stripes, cranking out all kinds of work (of various quality - to be fair), makes for a pretty great rabbit hole to fall down! From live-action, to animation, to documentaries, there's certainly something new and interesting to see here. And if you dig independent filmmaking, you should find a way to see some of this stuff.

And it got me thinking... I'd wager independent filmmakers are constantly looking for material, and probably gut-sick from hoping for a stray table scrap to fall from big publishing's lap. If so, I'd like to cordially invite them to plow the back catalogs of all the tremendous independent presses -- ones that have been publishing interesting and unheralded work and are certainly worthy of (and overdue for) some wider recognition.

Animators: you can EASILY FIND PIECES or SHORT STORIES  to put YOUR SPIN ON.

Surely some of the massively intriguing small press novels I've read over the years could be developed into longer scripts...COULDN'T THEY?

So, for anyone who hadn't yet figured out this angle -- VIMEO, meet the independent press; independent press, check out Vimeo!

It's a wondrous time to be creating, and the simple truth is, if we want to do work that stands out, we have to do professional-level work, and take risks the establishment can't or won't. This may well be the antidote to the all the CINE-MUCK.